Currently, Ault is researching a two-part exhibition on the work of artist Nancy Spero. Her writing will be included in a publication on the work of David Wojnarowicz, to be published in conjunction with a retrospective exhibition of his work at the Whitney Museum in 2018. She contributed an essay to Martin Wong: Human Instamatic (Black Dog Publishing, 2016), published on the occasion of an exhibition of Wong’s work at the Bronx Museum of the Arts. Press, 2011), which extends and analyzes a long-term project of filmmaker James Benning. Ault is the editor of FC: Two Cabins by JB (A.R.T. With Martin Beck, Nikola Dietrich, Heinz Peter Knes, Jason Simon, Scott Cameron Weaver, and Danh Vō, Ault curated the project Tell It To My Heart for Museum für Gegenwartskunst, Basel Culturgest, Lisbon and Artists Space, New York, 2013–14.
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For the 2014 Whitney Biennial, she organized “Afterlife: a constellation,” which took the archives of artists David Wojnarowicz (1954–1992) and Martin Wong (1946–1999) as its starting point and was later presented at Galerie Buchholz, New York. Her most recent projects include cocurating with Roni Horn a three-part exhibition of the work of Felix Gonzalez-Torres, which was on view in 2016 at Andrea Rosen Gallery, New York Massimo De Carlo, Milan and Hauser & Wirth, London. These collaborations have led to countless exhibitions, books, and other projects. Is an artist, writer, and curator who has developed a model of creative research that engages with an ever growing circle of artists, writers, scholars, activists, and communities. He currently runs Almoutlak, an import/export atelier that sells works by Syrian artisans.
#Situs film semi artis hongkong vivian shu series
With Karthik Pandian and Andros Zins-Browne, he has been a key collaborator in Atlas Unlimited, an ongoing series of exhibitions in Brussels, Antwerp, Chicago, and New York. His first artwork presented in Belgium was a sculpture of the priest of Palmyra for the Meli Melo Festival in 2017.
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He is a volunteer for several organizations that work with refugees in Belgium and a board member of the Brussels-based nonprofit Refugees Are Not Alone (RANA). After suffering an injury during a bombing in his home city, Almoutlak left for Europe and, in 2018, received refugee status. Almoutlak was involved in the Syrian revolution as a media activist and imprisoned twice by the Assad regime. From childhood until the Syrian revolution began in 2011, Almoutlak worked with his father in an atelier in Homs, sculpting in the Palmyrene and Roman traditions as well as taking part in the family business of trading antiquities. Is a sculptor living in Brussels, Belgium.